#3 of the >revisited< series� >like it used 2 b brothers< vibe kicks the old school mr. fingers bass (chicago house) sound a bit to bring you back to the days� >ride my rithum< cool filtered soul/funk groove over a solid track�sweet to ride!! >afro rican drums< hits you with electrifying timbale solo compliments of eddie cruz, remastered from the limited som release >collective grooves<

a funky four track ep by theefunkiest brazilian. standout track is >cuban jazz<, sounding a little bit like rick wade it digs in with hard beats lying beneath a filtered cuban piano line as a cool subtle vocal sample drives the track accompanied by a rumbling bass, well placed guitar samples and hi hats. the other tracks all solid with a chunky funky west coast flavor.tracks include productions by dj rod (greenhouse) and droors

third chapter of the electro bug bites parts with tracks by genderfix, dr. bass and hard rock sofa & full fiction

first remix features rick preston and dtc doing a deep house rework. the infectious groove is set off with crisp percussion, bubbly washes, electric guitar riff and chopped up vocaleffected into heady subliminal hooks. sunny guitar sols, warm chord progressions and timely effects round out the cut. trademarqs approach on their mix is a bit left of cente as they twist and mangle the original. they stretch and deform a few key parts into a truly unique cut. a cutting edge sound with shuffling and jacking beats leading into some massive sub bass and a haunting sustained synth line.chopped up vocals and dubbed out playful piano complete the sound

layne fox and triangle orchestras corey black team up as ruffy & tuffy for some tracky deep house with disco derived boogie action green gorilla lounge. mr. badass walkin fits that description perfectly, hinting at disco mania with the odd sample snippet while keeping the groove nice and sensible. dj m3 alters the track in an electronic style, adding a new wave accent, vibrating bass and the odd guitar lick. b side sookie nah is cool, building, slice of boogified house

another crater maker from the dmz cache, mala unleashes the up rolling classic left leg out. mercilessly driven by an insistent morse code arrangement and interlocking 4/4 polyrhythms this is an absolute winner from the man like mala. drawing influences from the rich soup of broken beat, garage and even funky house this one can slot in to any set with ease and drive a dance wild, just listen to any recent kode9 set, the proof is in the rewinds! the b side comes string with blue notez, a brooding slice of steppers pleasure with nuff dread bass, lonely sax licks and mutating snares for the twisup factor. you know you re going to love this one !! villalobos playlist !!

ovum is proud to bring you a release from christian smith & john selway. known for their amazing releases on tronic , underwater, and intec are finally a part of the ovum family. they deliver a main room monster in silver bullet. this bass driven monster builds to a huge tension filled breakdown that comes back in with a punch that will blow up any floor. already being championed by marco carola, adam beyer, josh wink, loco dice, and carl cox. slam has delivered a percolating remix that has a very old school feel to it. this could be played in a techno set as well as a house set. a very diverse package that should be in every djs record box

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure � not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

(da-fresh remix) with the demand increasing day by day missile is proud to launch this bomb officaily with the inclusion of a very rude and naughty electro bass treatment from the ever popular da fresh

do you like to dance tzatziki? can you feel the bass of kalamata olives? do you feel feta sometimes on the dancefloor? this are all questions our 2 doctors from athens can t answer you. the only answer they know is how to make the boopie shake. this is what they say. you need to proof? do it. boopie trap is a classical piece of malaka house music that will be reinterpreted by everybodys darling dario zenker from hometown munich and the so called boss popnebo himself. what else? their ghosts are also in da house. we hate to write about the music, because how do you want to say in words what the music should sound like? difficult. not really.

>einladung ep< features three varied pieces: >get the strings?< builds with loose, stuttering, metallic percussion playing over a locked bass/organ pulse before opening out into a beautifully detailed mix of chords, high strings and clipped vocal parts. >keep it< is a minimal percussion-based track of clicky kick drums and shuffling out-of-time hi-hats. >rhodes island< rides on a warm, repetitive chord sequence that refers back to the classic basic channel / chain reaction template

new imprint from long-servicing house/ disco aficionado mr.rob mello.the energy is a bleepy, jackin groove & low humming sub-bass that serve as the perfect complement to owens gospel-like vocals - a classic in the making, unstoppable

junior hacksaw, known for his slightly left of centre breaks, hands in a killah a side which crosses several genres all at once, with ragga vibes, glitchy edits, phat beats and heavy bass, it does exactly what it says on the tin! two names fast becoming big playas on the glitch scene, datapusher & modulus offer up another tasty treat on the flip, twisting its way into oblivion and pathing the way for many others to join them

recently landing on the nite grooves shores from japan, this most recent double a side is the third great electronic endeavor to be issued. the first, nami is a tripped out loungey mover where synth stabs dominate throughout. a deep faded bassline is added and together with a classic house hi hat makes for a well rounded instrumental. aso is a mellow non invasive, non vocal perfect for the side chill room jazzy piano riffs, violin strings, light clavs & bubbly bass line all make a nice sauce

calculate ep is all about big bass and the roughest kicks and snares programmable with these jackmovers... already supported by loulou players, cheshire catz, grahame farmer, phunklarique, deepgroove, stian klo

dave offers us 2 club bombs with okinawa dance and ocean club. the refined sound of dave dk has been lately on alot releases in the form of remixes but it is still the original productions which shines through. both tracks groove like hell with the familiar funky bass and tricky synth production we love him for

after the big success of gut feeling/frequency, this twelve sees the return of emalkay. bats in the belfry takes it to the next level with its solid half step beats, midnight strings and a bassline that rumbles with robust abandon. overflow on the flip causes extreme low end damge, while super duper takes bass notes up and down the octave only to smash it with an underlying hard edged beat

a-side >monsters< is a relief style tech funky piece with computer game samples. b-side is the track with an ominous bass, shuffling beats and infectious rhythm with minimal leanings and a very catchy but eerie synth hook

remixed by the mighty zdar from the mighty mighty cassius! feel it feel it is tacteel s most violent track ever, and zdar s remix puts the iron fist into a velvet glove. he dials up a new sonic weather, with fresh guitar clouds and a new bass wind. all the elements are weighted with utmost care then layered onto the live bassline like it s nothing. but it s a lot. he makes it sound ibizaeasy, feet-in-the-water-easy, wind-in-the-palm-trees-easy. when house is that fluid it feels like dancing among friends, special secret steps only your friends really understand. a big one from the institube

>who are fake< is the second release on john henry - the brandnew label by zoo brasil. the title track is based on a rhythmically complex bass figure which builds uo into a monstrous killer application for sweety club nights.. >show me more< explores deeper grounds with modulating killer basslines and a keen arrangement..

the polish man adam kroll aka adam proll presents two extraordinary productions which draw a bow from house to pretty weired techno. the a side comes along very elegant with a light but effective shuffle programming. flipside starts like a fuzzy electrotrack with a dark bass sound and a mighty 909 kick soon turns into a true techno monster with freaky breaks and insane synth sounds !!! an absolute highlight for fans of zombie nation and daniel dbx bell....

in association with afterdark records and broke recordings, 20k freaks is proud to present the next freakish release, featuring an original production from label artist agent k, alongside jbreak. the original mix is one of those belters that causes a massive stir on the dancefloor and makes every person spaz out as if they ve never heard music before. seriously heavy bass line shizzle from the u.s and if that wasnt enough, hardcore beats screwface steps up for remix duties and does what everyone thought was impossible, by turning it into even more of a stomper and creating a devastating effect! pure synth madness with fierce non stop chugging beats rolling from start to finish

argentina is on fire right now, so for its third imprint, esperanza introduces us jorge savoretti from rosario. with previous appeareances on the prestigious french label telegraph, this 24-year old talent brings us his impressive debut ep which is full of different flavours. on the a-side, -150 reasons to bite you-, is a deep rolling track with a super driving bass and great build ups which will sure set the dancefloor on fire. -space juice- will take you on a journey of trippy spacey sounds laying over its funked up bass and groovy rhythms. while on the b-side we have marc houle and ryan crosson, both minus artists, reworking -150 reasons-. keeping the original flavour but adding his old school touch marc delivers a peak time bomb. while the detroit native mutates the original into a storming late night mover suitable for the mind and the body, making this record a must have in your collection

roy steps up again and produces a future classic. retro keys, soulful sax licks and crisp beats merge with an electro inspired bass line to create this timely tune that reminds us all why we love house to begin with. an instant crowd pleaser already being played by demarkus lewis, chuck love and jask. dont miss the b side chicago remix by andre harris

dark jackin harder techno / schranz on the a side and a hard minimal schranz groover on the flip.

already played by kiki, freeform five, azzido da bass, tom mangan... also favs for tomboy / anthony pappa/ moonbootica/ cass / cajuan/ digitalism/ james f++++++ friedman and many more

force sense artist bolls shows us his powerful side of music. he produces a fat peaktime track with catchy breaks and a burner-bass ! moritz piske gives that track a raw feeling and makes a really fat stomping peaktime rocker and uses the leading elements of the original. gauchel produces a new track what contained little sound fragments from the original but with an more shallowly arrangement/sound

big vocal stomper with a strong female vocal funky bass and keys includes a mac devila ( cassagrande ) remix

cesare vs. disorder returns to the studio with argentinean partner perro magnetico with this deep and hypnotic four tracker that will help further cement the mean london sound. a deep and brooding first track introduces twisted, down tuned vocals and liquefied layers built inside tight arrangements before a throbbing bass takes the driving seat. a2 holds a playful and quirky electronic excursion >clarete< warming us up with romantic, light melodies. on the b side, ale ross aka perro magnetico drives you deeply into the sunset with two minimal gems that build but never explode. a demonstration of where minimal techno could go from these two young artists.. a must have for all minimal fans / sleeparchive fans!!!

again the boys of slam mode are back in the house and this one is no less slammin. >neveah< is a mish mash of volatile electronic percussion that creates nothing less than so nic mayhem. this mayhem expands riding steady underneath melodic yet techy strings. >afuera de sitio< departs through endless atmospheric melodies and piercing synth lines. the rapis linear movement transfers the pulsing microrhythms and hybrid sub bass into the void. another solid outing for fans of deep techy yet soulful and organic releases ala ame >rej< and the new flavors being pushed by claussell and francois k

after much effort sexy pie announces the release of their new song >fuck you<. this song with its childlike melodies is set against lyrics written with less than proper english seeks to express in an ironic and satiric way, that life sometimes dies not always need to be taken so seriously..

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

released across 2 separately packaged 12s, feeling free could be the closest thing to a summer anthem that soul music has had in quite a while !! hoop , whose soulclap updates of 90s hip-hop classics have garnered praise and plays from all angles, has worked his sample-adelic magic using jazz pianos and horns to bring fresh harmonies to an already musically rich work. coming across like a drum heavy quantic, this mix is one for the beat heads, as is its flip-side partner, which is delivered by natural self , (breakin bread /tru thoughts). as usual his drums are raw, his bass looms large and the authentic live funk feel is kept alive and heavily kicking

hero, kaidi tatham, mfp collective, greg gauthier & tony l remixes).lead & backing vocals by allen hoist.inner city blues written & composed by marvin gaye & james nyx.with love written & composed allen hoist.a 1 inner city blues (make me wanna holler) 4 hero vip 2005 rmx.flute the prodigual allen hoist.remix and additional production by marc mac 4 hero.piano, rhodes, bass, percussions & synths marc mac.drums & guitar brad munn.mixed by brad somatik & marc mac.a2 with love kaidi tatham dark dub.remix and additional production by kaidi tatham.key: kaidi tatham.mixed by matt lord.b1 inner city blues mfp collective edit.remix and additional production by mathijs duringhof.piano : marrio canonge.bass : linley marth.mixed by martijs duringhof.b2 with love greg gauthier and tony l dub.remix

contains original mix, rob mello no ears dub / undeniably flavor of the moment radio slave deliver their latest bass heavy single on their much anticipated label. also featuring a bleep infested remix from rob mello, this is a strong package.

the strongest hard techno label with another slammin & phunky 4 track ep! rolling, driving drum patterns infected with drum n bass / break beats combined with great little melodies with a trancy feeling !!

first release on the adventures in the beetroot field label and its a stone cold killer. >house on fire< is a totally infectious indie disco rocker that not only has the dancefloor savvy but the actual tune to match.. >blackout falls< adds a bit more bass to the mix and one of those all important disco beats.. an indie disco monster to !!

rekleiner (maschine, connaisseur superior) is the collaboration between stuart geddes, anthony middleton & luca saporito. all three of them play an important part in the uk/ london underground club scene.. on this release, they deliver two trancey tracks of warehouse vibes. >shall we< is a straight, and fine track, mixing melodious blips and powerful beats. with >sideways<, starting with a heavy bass sound, rekleiner manages to turn a deep dark sound into a luminous flight !!

this is the first volume of a limited edition serie of 12� featuring some of his unreleased tracks or lost gems for the first time on vinyl duriez was very active behind the gears in the nineties and his appetite for electronic tunes lead him to produce hundreds of tracks in many genres. the man did produce house & techno but also drum&bass (he has produced an album in 1998 unreleased for now that we will release as download only on our new imprint aperto � check the web soon, the label will also release his unreleased album from 2002 as le dav) or downtempo.

with his trapez release >le stelle sono tante< we witness both renatos strong bass and his extreme breaks. the a-side is stripped down in a chicago fashion whereas the flipside is more up-tempo and techno and very hypnotic..

well, well, well� d.classics returns again to spread the funky good news� whatever you want to call funky: sometime pure funk, sometime heavy soul, sometime discofied, sometime electro-ish, even sometime 80s� but sure its funky ! so here we are, on a journey proposed by non-else than parisian sensation dj almost. after years (and we mean yearsss) of heavy activism behind the wheels of steel, almost agreed to share with the world some of his own heaviest re-edits. a side, get straight to the core of two of his 80s fave, stripping them down to the clubiest, most mixable parts. boy! how deep are those bass & beats? perfect peak hour, decerning crowd s dancefloors! b side lurks more into the p-funk direction, with a huge classic winner, full of moog-ish bassline, female choir background voices, and deep dark male gimmicks. well, 3 more classics brought back to you by the dclassics posse

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

wicked cheeky house rework of hip hop hit kryptonite that took stateside by storm! ace vocals, twinned with quality techy house beats & bass. big with westwood & zane lowe in its hip hop form who will pick the house mix up

infekto (aka rico tubbs) has been turning heads on the funkier floors across the world with his signature sound of heavy, polished beats alongside party rockin bass and catchy hooks a plenty. funky music carries a similar tone to ghetto soul, miami treble, and his last money shot outing, the real funk. funky music also pays tribute to one of our favourite instruments of all time the cowbell. cuz every tune could use a little more cowbell

next shot from stephan bodzin with two massive and epic tracks. >pendulum< features a simple and yet sophisticated melody that winds itself into your brain like a rusty screw, modulation madness in combination with cool and laidback drums and analogue bass. >silhouette< is a anthem like tune that features steaphans trademark basslines, drums, effects and noises

cassagrandes exclusive edition contains 3 huge eps with mixes by john jacobsen the sunloverz jules spinner stereofunk sine sharpe and electro phase not to be missed

australian producer deepchild drops the second single >no disgrace< from his new album >lifetime<, a dub heavy slab of techno soul featuring the vocals of barbados-born mc ras roni with the usual intricate programming found in all deepchild productions. on the a-side jimpster under his audiomontage guise delivers a remix he concedes to be >fucking slamming, maybe one of my best yet< combining a stripped back techno structure with chunky rolling bass and heavy soul in a devastating dancefloor weapon. deepchild s original is equally at home at london s co-op or vienna s dub club as it is rocking the floors in aus while always and forever shows more of the flavour from the album with a dose of his trademark rich melodic deepness

this is the first collaboration between rennie and andrea lai. andrea is founder resident of agatha, the coolest night in rome. imagine an italian fabric run by anarchists. agatha manages to mix house, electro, breaks and drum n bass in the same room without the audience running for cover..

after 4 wicked releases with impressive sales it is time for hertz to enter on his own label. the a-side is nothing else than a funky techno hit. you will recognize the old 70s bass-sample, mostly known from s-express in the 80s. with a full on arrangement and a great break, this is a guarantied anthem. on the flip you will find a massive tune, with a fat driving loop working in 130 bpm !!